RADIO CALL (MIDNIGHT FOR THE HORNET)

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Insights on RADIO CALL (MIDNIGHT FOR THE HORNET):

“I was doing some sound design on my Clavia Nord Wave and several effects units, and I imagined a lone police officer, on a rare stormy night, responding to a radio call. The lights go on, his car takes a sharp ‘U,’ and speeds headlong to save someone’s life. A tight grip on the wheel… eyes focusing through the city’s dense marine layer… pedal down. The siren calls from above through swirling flashes of rained out red and blue… and I hear a humming in the corner. There’s a hornet in my studio, and it’s midnight.”

– BRANDY ALEXANDER

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Insights on RADIO CALL (MIDNIGHT FOR THE HORNET):

“I was doing some sound design on my Clavia Nord Wave and several effects units, and I imagined a lone police officer, on a rare stormy night, responding to a radio call. The lights go on, his car takes a sharp ‘U,’ and speeds headlong to save someone’s life. A tight grip on the wheel… eyes focusing through the city’s dense marine layer… pedal down. The siren calls from above through swirling flashes of rained out red and blue… and I hear a humming in the corner. There’s a hornet in my studio, and it’s midnight.”

– BRANDY ALEXANDER

Insights on RADIO CALL (MIDNIGHT FOR THE HORNET):

“I was doing some sound design on my Clavia Nord Wave and several effects units, and I imagined a lone police officer, on a rare stormy night, responding to a radio call. The lights go on, his car takes a sharp ‘U,’ and speeds headlong to save someone’s life. A tight grip on the wheel… eyes focusing through the city’s dense marine layer… pedal down. The siren calls from above through swirling flashes of rained out red and blue… and I hear a humming in the corner. There’s a hornet in my studio, and it’s midnight.”

– BRANDY ALEXANDER